This project explores the intersection of praxis, theory, and community through the lens of Gloria Anzaldúa’s “Coyolxauhqui Imperative.” Materials ranged from dried flowers to newly developed film of artivist murals, which allowed Mayorga to consider their relationship with the land and their activist community through a process of gathering, painting, and collaging. By understanding the “clippings” of various materials as “fragments of self” that resemble Coyolxauhqui’s appearance, Mayorga collaged with the intention of piecing the fragments together to form something new. This project, in turn, signified a healing of seemingly disjointed parts that enabled Mayorga’s own “Coyolxauhqui consciousness” to form.